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      <image:title>aerial views - Aerial Views, # 15, 2016, 24" x 20"</image:title>
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      <image:title>aerial views - Aerial Views, # 15, 2016, 24" x 20"</image:title>
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      <image:title>aerial views - Aerial Views #13, 2016, c-print, 24" x 20"</image:title>
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      <image:title>aerial views - Aerial Views #12, 2016, c-print, 24" x 20"</image:title>
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      <image:title>aerial views - Aerial Views #11, 2016, c-print, 24" x 20"</image:title>
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      <image:title>aerial views - Aerial Views #14, 2016, c-print, 24" x 20"</image:title>
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      <image:title>aerial views - Aerial Views #10, c-print, 24" x 20"</image:title>
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      <image:title>aerial views - from the series Aerial Views, #1, 2007, c-print, 24"x20"</image:title>
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    <loc>https://www.shirleywegner.com/recent-projects</loc>
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    <lastmod>2024-09-05</lastmod>
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      <image:title>Highlights - Shirley Wegner / / Spinning Straw into Gold: Studio Visit</image:title>
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      <image:title>Highlights - Shirley Wegner / / Spinning Straw into Gold: Studio Visit</image:title>
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      <image:title>Highlights - Video-Tour #04 Shirley Wegner, Alfred Ehrhardt Stiftung</image:title>
      <image:caption>Models of Nature in Contemporary Photography Jan 11 – Jun 21, 2020 curated by Dr Marie Christine Jádi with Oliver Boberg, Sonja Braas, Julian Charrière, Shirley Wegner, and Thomas Wrede</image:caption>
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      <image:title>Highlights - Shirley Wegner, The Unphotographed @ Rosenfeld Gallery 2019</image:title>
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      <image:title>Highlights - Effacement, 2 channel video installation</image:title>
      <image:caption>Videography Oded Kimhi Sound design Aviad Zinemanas Editing Oscar Abosh</image:caption>
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      <image:title>Highlights - Development of an Explosion in Space.video installation</image:title>
      <image:caption>video screening, part of a video installation at Pyramida Art Center, Haifa Israel, curator Shirley Meshulam</image:caption>
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      <image:title>Highlights - Video-Tour #04 Shirley Wegner, Alfred Ehrhardt Stiftung</image:title>
      <image:caption>Models of Nature in Contemporary Photography Jan 11 – Jun 21, 2020 curated by Dr Marie Christine Jádi with Oliver Boberg, Sonja Braas, Julian Charrière, Shirley Wegner, and Thomas Wrede</image:caption>
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      <image:title>Highlights - spinning straw into gold.studio visit</image:title>
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      <image:title>Highlights - Shirley Wegner, Phenakistoscope (Eucalyptus), 2019. Video installation @ Rosenfeld Gallery</image:title>
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    <loc>https://www.shirleywegner.com/new-gallery-1</loc>
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    <lastmod>2024-09-04</lastmod>
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      <image:title>Merge and Flatten - Merge and Flatten, Exhibition view installation view, photo: Tal Nisim</image:title>
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      <image:title>Merge and Flatten - Merge and Flatten, Exhibition view installation view, photo: Tal Nisim</image:title>
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      <image:title>Merge and Flatten</image:title>
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      <image:title>Merge and Flatten - Invert/ Blackwork, 2022, Archival Pigmented Inkjet print, 150x248 cm</image:title>
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      <image:title>Merge and Flatten - Train Tracks.Field, .Tower, 2022, Archival Pigmented Inkjet print, 122x158 cm</image:title>
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      <image:title>Merge and Flatten - Stripes and Background Layer, 2022, Archival Pigmented Inkjet print, 120x132 cm</image:title>
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      <image:title>Merge and Flatten - Field and Pixels, 2022, Archival Pigmented Inkjet print, 120x140 cm</image:title>
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      <image:title>Merge and Flatten - Development of an Explosion in Space III, 2023, Archival Pigmented Inkjet print, 95x145 cm</image:title>
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      <image:title>Merge and Flatten - Screen no. 7, 2023, Archival Pigmented Inkjet Print, 46x70 cm</image:title>
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    <lastmod>2024-09-04</lastmod>
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      <image:title>The Mechanics of Sloughing - Scrolls (Eucalyptus), Exhibition View, photo: Tal Nisim</image:title>
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      <image:title>The Mechanics of Sloughing - Scrolls (Eucalyptus), Exhibition View, photo: Tal Nisim</image:title>
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      <image:title>The Mechanics of Sloughing - Scrolls (Eucalyptus) 2, 2024, Archival Inkjet print, 240x110 cm</image:title>
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      <image:title>The Mechanics of Sloughing - Scrolls (Eucalyptus) 2, 2024, Archival Inkjet print, 240x110 cm</image:title>
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      <image:title>The Mechanics of Sloughing - Exhibition View, photo: Tal Nisim</image:title>
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      <image:title>The Mechanics of Sloughing - Exhibition View,  Father-Son Tongue series, photo: Tal Nisim</image:title>
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      <image:title>The Mechanics of Sloughing - Father Son Tongue 1, 2024, Archival Inkjet print, 30x50 cm</image:title>
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      <image:title>The Mechanics of Sloughing - Father Son Tongue 2, 2024, Archival Inkjet print, 30x50 cm</image:title>
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      <image:title>The Mechanics of Sloughing - Father Son Tongue 3, 2024, Archival Inkjet print, 30x50 cm</image:title>
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      <image:title>The Mechanics of Sloughing - Father Son Tongue 4, 2024, Archival Inkjet print, 30x50 cm</image:title>
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      <image:title>The Mechanics of Sloughing - Father Son Tongue 5, 2024, Archival Inkjet print, 30x50 cm</image:title>
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      <image:title>The Unphotographed</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1725323272143-L2UALSQNIDR3MJ5TW4OC/Screen+Shot+2024-09-03+at+3.18.08+AM.png</image:loc>
      <image:title>The Unphotographed</image:title>
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  <url>
    <loc>https://www.shirleywegner.com/new-gallery-2</loc>
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    <lastmod>2024-09-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1587336435985-OPTFENFDHIK6U484L9NN/ramathashron19-2.JPG</image:loc>
      <image:title>New Gallery - Tractor Traces, Aluminum casts and wire. 4 m long - exhibition view Greenville, 2020-21, at The New Municipal Gallery for Contemporary Art, Ramat Hasharon</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1587336435985-OPTFENFDHIK6U484L9NN/ramathashron19-2.JPG</image:loc>
      <image:title>New Gallery - Tractor Traces, Aluminum casts and wire. 4 m long - exhibition view Greenville, 2020-21, at The New Municipal Gallery for Contemporary Art, Ramat Hasharon</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1587336447307-RXE2ON5JIJ3XD2H62TIX/IMG_0306.JPG</image:loc>
      <image:title>New Gallery - Tractor Traces, Aluminum casts and wire. 4 m long - exhibition view Greenville, 2020-21, at The New Municipal Gallery for Contemporary Art, Ramat Hasharon, Israel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1587336678781-HBVZNPEX1CUD5XTCAK04/9ce0a9cd-245e-4262-855e-bcfe319df55d.jpg</image:loc>
      <image:title>New Gallery - Installation view of Tractor Traces II @ Contemporary Art Gallery, Ramat Hasharon, Israel</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1490474007705-2IIPO1KXOXEDX33C6KDE/2+P1060079.jpg</image:loc>
      <image:title>New Gallery - tractor traces, 2, Rosenfeld Gallery, Tel Aviv, 2017. Aluminum, fishing wires, 6.5 m long / 21.3'</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1490473969516-P94E284JS9KP3ZUWCFE9/3+P1060069-2.jpg</image:loc>
      <image:title>New Gallery</image:title>
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    <image:image>
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      <image:title>New Gallery</image:title>
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      <image:title>New Gallery</image:title>
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      <image:title>New Gallery - Tractor Traces, 1,  2007. Museum Goch collection, Goch, Germany. Ceramic, fishing wires, 4 m / 13.1' long.</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>New Gallery</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402331025858-EW2ZO8RJE9WHR1V97QFD/5+.jpg</image:loc>
      <image:title>New Gallery</image:title>
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  </url>
  <url>
    <loc>https://www.shirleywegner.com/blog-wexley</loc>
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    <lastmod>2025-05-08</lastmod>
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  <url>
    <loc>https://www.shirleywegner.com/blog-wexley/2013/11/19/1t1q1alq8mn5333fds9uyollxkmoua-tnaft</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2013-11-19</lastmod>
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      <image:title>blog - Wallpaper Portraits</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384899663201-WGS8Q0BX1UASFVNR2R9U/2013_New_Advertising_Book_029.JPG</image:loc>
      <image:title>blog - Wallpaper Portraits</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384899668750-IAI0PM7F9O5NNBVZLBPT/2013_New_Advertising_Book_030.JPG</image:loc>
      <image:title>blog - Wallpaper Portraits</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384899670274-N7JDV3VYEZ2W8JE1L54W/2013_New_Advertising_Book_031.JPG</image:loc>
      <image:title>blog - Wallpaper Portraits</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384899673505-NSXDFUCCVDPAMQ1UGDXR/2013_New_Advertising_Book_032.JPG</image:loc>
      <image:title>blog - Wallpaper Portraits</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384899675084-KZAUGZ1JY9UB5QCG4EN2/2013_New_Advertising_Book_033.JPG</image:loc>
      <image:title>blog - Wallpaper Portraits</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384899679173-D9L5D7YS8AQZG1MDSHT1/2013_New_Advertising_Book_034.JPG</image:loc>
      <image:title>blog - Wallpaper Portraits</image:title>
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  </url>
  <url>
    <loc>https://www.shirleywegner.com/blog-wexley/2013/10/15/wedding-of-the-century-nx87s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384899982746-LBFJH51BHQ1430BIT2HY/2013_New_Advertising_Book_068.JPG</image:loc>
      <image:title>blog - Wedding of the Century</image:title>
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  </url>
  <url>
    <loc>https://www.shirleywegner.com/blog-wexley/2012/5/27/beach-dream-l8y6x</loc>
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    <priority>0.5</priority>
    <lastmod>2013-11-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384900091229-RVK2EY23OOTB8D988GJN/Brinson_Banks_Recent_Work_010.JPG</image:loc>
      <image:title>blog - Dope Overdose</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384900144852-S9Y22DPOHIBV43YE1Z9A/Brinson_Banks_Recent_Work_008.JPG</image:loc>
      <image:title>blog - Dope Overdose</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/4fbff6b4c4aac2e9749c152f/1384900172137-KFTWT4LT8MU7ZXZQN169/Brinson_Banks_Recent_Work_009.JPG</image:loc>
      <image:title>blog - Dope Overdose</image:title>
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  </url>
  <url>
    <loc>https://www.shirleywegner.com/generative-crafts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-22</lastmod>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766421294206-POCNDUXENK5PVB486E2A/%25D7%259B%25D7%259C%2B%25D7%2594%25D7%25A0%25D7%2599%25D7%25A9%25D7%2595%25D7%25AA.%25D7%25A4%25D7%2599%25D7%2599%25D7%25A1%25D7%2591%25D7%2595%25D7%25A7.jpg</image:loc>
      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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      <image:title>Generative Crafts</image:title>
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  </url>
  <url>
    <loc>https://www.shirleywegner.com/moving-image</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766423068160-821JK1NTT77OUZ0LS4VH/image-asset.jpeg</image:loc>
      <image:title>moving image - Shirley Wegner, Time Modulator, 2024, One Channel video, 7 min</image:title>
      <image:caption>Time Modulator takes place in three historic sites in the original colony of Mazkeret Batya, Israel, dated from late 19th century. Filmed in 2024, it follows two of the old wells and the blacksmith shop. The repetitive image of the cogwheel is embedded in early aesthetics of settlements in Israel, and is inherent in Machine aesthetics of early Modernism at large. Interchangeable moving wheels accelerate throughout as old mechanic apparatuses, instigating movement whose outcome is unknown. Videography Oded Kimhi Editing Oscar Abosh Commissioned by the city for The Historic Village Museum - Mazkeret Batya, 2024 Exhibited in “Mechanics of Sloughing”. Special thanks to Ilanit Arkin Kish.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766423068160-821JK1NTT77OUZ0LS4VH/image-asset.jpeg</image:loc>
      <image:title>moving image - Shirley Wegner, Time Modulator, 2024, One Channel video, 7 min</image:title>
      <image:caption>Time Modulator takes place in three historic sites in the original colony of Mazkeret Batya, Israel, dated from late 19th century. Filmed in 2024, it follows two of the old wells and the blacksmith shop. The repetitive image of the cogwheel is embedded in early aesthetics of settlements in Israel, and is inherent in Machine aesthetics of early Modernism at large. Interchangeable moving wheels accelerate throughout as old mechanic apparatuses, instigating movement whose outcome is unknown. Videography Oded Kimhi Editing Oscar Abosh Commissioned by the city for The Historic Village Museum - Mazkeret Batya, 2024 Exhibited in “Mechanics of Sloughing”. Special thanks to Ilanit Arkin Kish.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766422626437-MGO8AJC5S69VYPZEKRR3/image-asset.octet-stream</image:loc>
      <image:title>moving image</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766423796761-E32O7F97YSPROF1D9NMO/image-asset.jpeg</image:loc>
      <image:title>moving image - Effacement, 2023, video and sound installation, Rosenfeld Gallery, TLV</image:title>
      <image:caption>"Effacement" is a video and sound installation of two screens opposing one another. The installation interlaces a forward and backwards movement shot in the Syrian Army Headquarters in Quneitrasite in the Golan Heights, Israel, a site known as a charged symbol of numerous wars. From the exhibition  'Merge and Flatten', Rosenfeld gallery, Tel Aviv, 2023 Videography Oded Kimchi Special thanks to Tal Nisim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766427305653-U7VUO5LRFB893AIQIJ11/image-asset.jpeg</image:loc>
      <image:title>moving image - Cornerstones, one-channel video, 3:42, 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766424644354-UV4HEKW16INJX57NEWX6/image-asset.jpeg</image:loc>
      <image:title>moving image - Development of an Explosion in Space, 2020. a video projection/installation</image:title>
      <image:caption>A Development of an Explosion in Space is a video installation exhibited in Pyramid, Center for Contemporary Art, Haifa, Israel, 2021, which is made of hundreds of installation shots built in large scale in the studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766428790671-DLCZVJ8GNOMNPDY90YBN/image-asset.jpeg</image:loc>
      <image:title>moving image - Genrative Crafts, by Tal Nisim and Shirley Wegner, 2024</image:title>
      <image:caption>Exhibited in the duo-exhibition Generative Crafts, this video by Tal Nisim and Shirley Wegner, emerged from a close study of the gallery’s architecture, designed by the Ada Karmi-Melamede. In this work the subdivisions of the university space into the main gallery, the subterranean operational floor, and the green gardens surrounding the building are intertwined, leading us from one space to another, collapsing the original space. Using Generative AI this project uses still images to animate the architectural space it depicts, and create a dissonance between the moving image and the space itself: familiar structures becomes unsettled, dreamlike, and open to reflection on what anchors —or destabilizes —the spaces we inhabit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1766429637744-OFMF19GJGDZT0GGN6WWS/image-asset.jpeg</image:loc>
      <image:title>moving image - Shirley Wegner, Eucalyptus Phenakistoscope, 2019</image:title>
      <image:caption>Video Installation, Rosenfeld Gallery, TLV interchanging fans, photography backdrop paper cutouts, one-channel video projection</image:caption>
    </image:image>
  </url>
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    <loc>https://www.shirleywegner.com/archives</loc>
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    <lastmod>2014-07-02</lastmod>
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    <lastmod>2014-06-09</lastmod>
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    <loc>https://www.shirleywegner.com/press</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1419906169434-ZFDRG96BT1XOQWFWABW2/image-asset.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>  Roxana Azimi, "Shirley Wegner: un travail a' double fond," Le Quotidien No. 495, 28 November 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1464999471149-6XO1OE29990S9TG9DMHV/image-asset.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>Henri Francois Debailfaux, Les Journal Des Arts, July 3, 2015    </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1403022952480-EPRAOZLYO6LLI2FJOWQJ/image-asset.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>Markus Ambach, Birgit Jensen, Shirley Wegner: "Site Unseen", WG/3ZI/K/Bar, Künstlerverein Malkasten, Dusseldorf, Germany, 193, 2013  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402671924707-0LI7J8ZB61MKXQF0JTQ4/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Dana Gilerman, “The Uttermost Israeli Landscape Is The One Created In My Studio,” Calcalist Magazine, Israel, September 5, 2012</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1416239826127-FRAFR9TD755BNBYUXXB8/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Sylvie Duyck, "Paris Photo 2014 au Grand Palais en 10 Images." L'obs,     November 8, 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402672072903-2CO9R3ZJYCGC9N37WAG0/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>  Exhibition Catalogue, “Shirley Wegner: On Landscape, Gray and other geographies”, Museum Goch, Germany, 2008  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402673436525-7IRB17VU2UB2KLZXH31K/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Sedek Magazine, Issue no. 4, 50-56; 57- 63, July 2009,  Israel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402598287669-RDFOCXUB9V2V43AA6G2I/nisha_142_Cover_Clean.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Ravit Harari, “Scattegories: a curated exhibition on paper,” Nisha Magazine no. 142, 72, December 2013, Tel Aviv, Israel   </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1482959282485-AEIWS00505IIS3XKSOFI/image-asset.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>Watch 2015 "Paintings" at Farideh Cadot Gallery, Paris</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402598532465-KLIE5X3KTNE21L6UAFIA/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Ravit Harari, “Ashes and Dust: a curated exhibition on paper,” Nisha Magazine of Design, No. 143, January 2014, 68, Tel Aviv, Israel. (Hebrew)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1404497478331-3M990SETOBSDB8C5VE3C/Screen+shot+2014-07-04+at+2.09.24+PM.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>      Exhibition Catalogue: Dust In The Machine, Center For Contemporary Art, Santa Fe, NM, 2012</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1482962671255-40ZV9HNMAZMBWNVYPMV3/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>      Exhibition Catalogue: Dana Art Gallery, 10-19, 2012, Yad Mordechi, Israel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1415163903799-Y9B7TVH9ITXUA284O1G8/image-asset.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>    Brigitte Ollier, “Shirley Wegner, L’appret Guerre,” La Liberation, November 8, 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1404498021691-Z6DEFLIELSYBNV91JMOS/%D7%92%D7%9C%D7%A8%D7%99%D7%94.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>        Karin Levit, “Outside the Frame,” Haaretz, Gallery, September 24, 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402598023921-XEL7BUK3QXYJMOZNGSIU/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Claire Guillot, “La guerre pour de faux,” Le Monde Cultural Magazine, November 2, 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1482962474900-ZFQG5R5WFXNXMQ8GF5P1/image-asset.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>                “In Conversation: Paul Black interviews Shirley Wegner,” NY Arts Magazine,Vol. 19, June 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402597954046-F7HYVHPFV5IRXDUKF9T9/PARCOURS_COVER_Petit_Kiosque.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Robert Bernier 'The Certainty of Doubt" Parcours Magazine No. 80, June 2014.     </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402674066759-AN988F0ZM5FHH6AUHSG3/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>              "Editor’s Choice: opening exhibitions," Time Out Tel Aviv, Israel, October 11, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1415163192535-RN43V1Y2H0T1NZHQRVTK/Screen+shot+2014-11-04+at+11.48.46+PM.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>Erev-Rav Magazine, “Working from Blankness,” Yonathan H. Miashal interviews Shirley Wegner, October 2012     </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5391f94ee4b0097a84e266c7/1402677077334-SVLR2K8Y6I4BC8KH5LRY/image-asset.jpeg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Ravit Harari, "One Artist a month: Shirley Wegner,” Nisha Magazine no. 113, 80-84, June 2011</image:caption>
    </image:image>
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